<%@LANGUAGE="JAVASCRIPT" CODEPAGE="1252"%> The Magic Roundabout 1

the Magic Roundabout

the Magic Roundabout 1985-1987

Julian Terris—acoustic guitar, voice
Conrad Jones— 12-string guitar, bass
Robert Hancock—acoustic guitar, mandolin, voice

the Magic Roundabout 1987-1989

Julian Terris—guitars, bass, voice
Conrad Jones—bass, guitars, keyboards
Robert Hancock—guitars, mandolin, bass, voice
Karl Buckley—drums
Christine Watson—violin

The Magic Roundabout began as an unconventional acoustic guitar band in 1985. Driving around and rehearsing in a Morris van meant that a variety of atmospheres infused the music, from the desolate suburban sprawl of the Hutt Valley to the sparkling panorama from the Eastbourne hills, from the weirdness of industrial zones at night to burnt forests in harsh daylight.
In 1986 a part of the band relocated to Wellington city, and in a Mount Victoria flat the first series of recordings were made using a 4-track reel to reel machine. Tracks 1-8 formed the basis of a first cassette release which circulated in 1986. These acoustic songs were performed live on a few occasions before inappropriate crowds of skinheads and rock hardmen, working surprisingly well considering the context.
Rattle and Shake was selected to appear on a national Student Radio compilation sometime in 1987, accelerating many things for the group. The consequent offers of concerts was an opportunity to develop the line-up, with Karl arriving on drums and Christine on violin. This new electric eclectic group quickly gained a solid reputation, and with the subsequent airplay and promotion from Student Radio performed frequently in Wellington and Auckland.

 
1985 - 1989
   
 
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  The multi-faceted song-writing, the mixture of electric and acoustic instruments and the dynamic live shows enabled us to share the bill with bands of the moment such as The Straightjacket Fits, JPSE or The Able Tasmans.
In 1988 the then Arts Council of New Zealand awarded the group a New Recording Artists grant for the production of a 12” e.p and a promotional video. Six songs were recorded and mixed at Wellington’s Writhe Studio by Brent McLachlan, and the video footage was developed and ready to be edited. It was at this stage that we realised our then ‘manager’, Peter Kaye, had used the money to pay his personal tax bill. Stolen it, like. Put yourselves in our shoes – everything had been going to plan, and then this fall off the edge of a cliff. Too young, too idealistic and too sensitive, the band imploded and then scattered in 1989..


 
 
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